Friday 20 March 2020

ALANTHURAI NATHAR TEMPLE / SRI PASUPATHEESWARAR TEMPLE / SHRI PASUPATHI TEMPLE, THIRUPULLAMANGAI,/ PASUPATI KOVIL / PASUPATHIKOIL / V PASUPATHIKOIL, THANJAVUR DISTRICT, TAMIL NADU.

14th February 2019.
A 3 days,  study on Temple architecture was organized by Mr Thenkongu Sathasivam, under the banner Kadikai ( கடிகை ) You Tube Channel from 14th to 16th Feb 2020.  The study had Covered Thanjavur, Rajarajecharam, Gangaikonda Chozhapuram Brihadiswara Temple, Darasuram Airavateswara Temple and Thirubuvanam, Kampaheswarar Temple.

Utilizing this opportunity, on Friday morning, had been to this Shiva Temple. This is the 133rd Padal Petra Shiva Sthalam and 16th sthalam on the south side of River Kaveri, in Chozha Nadu. Thirugnanasambandar has sung hymns in praise of Lord Shiva of this temple. This is the 7th sapthasthana temple, which ends with Mangai.

பொந்தின் னிடைத் தேன் ஊறிய பொழில்சூழ் புளமங்கை
அந்தண் புனல்வரு காவிரி ஆலந்துறையானைக்
கந்தம்மலி கமழ் காழியுள் கலைஞான சம்பந்தன்
சந்தம்மலி பாடல்சொலி ஆடத் தவம் ஆமே
.........................( சம்பந்தர் )      
Moolavar  : Alanthurai Nathar, Brahmapureeswarar
Consort    : Alliangothai, Soundaryanayaki

Some of the salient features of this temple are....
The temple is facing east with a 3 tier Rajagopuram. Balipedam and Nandhi are in the Mukha mandapam. Ambal is in the mukha mandapam facing south  Moolavar is little big. In Koshtam Vinayagar, Dakshinamurthy, Lingothbavar ( Brahma  and Vishnu are standing both sides ), Brahma and Durgai.

In Prakaram Vinayagar, Sri Valli Devasena Subramaniyar, Sandikeswarar, Navagrahas and Nalvar.  

ARCHITECTURE
The Sanctum sanctorum consists of sanctum, antarala, arthamandapam, mahamandapam and mukha mandapam. Arthamandapa pillars are of Ganga style, even kodikarukku can be seen on the kumbam, kalasam etc.  The out side sanctum sanctorum is in the form of moat.

The Koshtas are brought out side to enhance the beauty of the temple. Panchara are shown between Karnapathi and Salaipathi. The pancharas top finishes at the kapotha alpa nasi. The koshta portions are on a adhisthana with Padmam, virutha kumuda, Kapotham & Yazhi vari and rest are on a padabandha adhisthana with Virutha Kumuda.   The prastharam is of kapotha style and vyalavari is shown in the bhoomidesam and bhuta ganas are shown in valabi.  Various images are in the haram. The Vimana was built with stone up to second level and  greevam, Sikaram are built with brick.

Durga panel is considered as a special one in this temple. Durga is standing in tribhanga posture, on the head of Mahisa with 8 hands (Ashta bhuja Durga ). A Venkotrakudai / Umbrella  is shown above her head.  She holds Conch, Chakra, Gatha, Soolam, Shield, Ankusa, Sword and bow in her hands. The Lower right hand is in abhaya hastham  with ring finger is in folded mudra and left hand is holding the bow. An ambura or the arrow holder is shown on her back.  Her Vahana, Lion and Deer are also shown. On the left side one hero is shown doing Navakanda ( offering his head ) and on the right side a man is shown cutting the flesh of his body to offer to Durga.  It is believed that the Durga Statues of Thirunageswaram, Patteeswaram and this temple are chiselled / sculpted by the same sculptor.

Similarly the Vinayagar Panel ( Devas, Bhuta ganas ), Dakshinamurthy Panel ( Sanakatha munis, tiger ( seems a cat is sleeping on its lap ), Lion, are looks and  Lingothbavar Panels (Vishnu in the form of Varaha and Brahma in the form of Human ) are very unique. The adhisthana ( Lower ) Kanda portions on the adhisthanam has the inch sculptures ( குறுஞ்சிற்பங்கள் ) or the miniature sculptures  of epic Ramayana ( not in order – Chozha Ramayan ) and the Vethikai ( upper) Kanda portions has got the various forms of Lord Shiva. These are the special features of this temple. Vimanam thangis are shown on the salaipathi. The Vimana has  the Animals, Birds, Human sculptures. The Pull birds, responsible for the name  of the place are In Arthamandapam Bhuta vari.    

HISTORY AND INSCRIPTIONS
Since Lord Shiva of this temple was praised by Thirugnanasambandar in his Thevara hymn, this temple might have existed since 6th to 7th Century as a brick temple.  The temple with arthamandapam was reconstructed  with stone during Paranthaka Chozha - I ( 907 – 955 CE ) period. The mukha mandapa was extended during Maratha period.

As per the inscription this place was called as Kilar kootrathu Brahmadesam Thirupullamangalam  during Parantaka period and during Rajarajan-I period the same was called as Nithavinotha Valanattu Kilar Kootrathu Brahmadesam Thirupullamangalam and Shiva was called as Thirupullamangalathu Mahadevar.  How the name Thirupullamangalam has changed to PasupathyKoil is not known.

The inscriptions belongs Parantaka Chozha-I, Sundara Chozha, Adithya Karikala and Rajaraja Chozha – I.

This temple was many times subjected to the flood in River Kaveri and will be covered under sand dunes. It is believed that during Arcot Nawab’s invasion, the temple was under sand dunes and hence this temple was  not damaged.  

As per the inscription available Kanchi mutt, Sri Jayendra Saraswathi Swamikal visited this temple in 2000.  

TEMPLE TIMINGS:
The temple will be kept opened between 07.00 hrs to 11.00 hrs and 16.00 Hrs to 20.30 Hrs.

CONTACT DETAILS:
The mobile numbers +919791482102 and +918056853485 may be contacted for further details.

HOW TO REACH:
The temple is on the banks of rover Kaveri and off  Kumbakonam to Thanjavur Raod.
The temple is 27 KM from Kumbakonam, 28 KM from Thanjavur and 305 KM from Chennai.  

LOCATION: CLICK HERE


 Lingithbavar panel - Brahma and Vishnu are on both sides
 Vinayagar Panel 
 Pillar Malaithongal releiefs 
 Monkeys are in utharam



 The Pull - birds responsible for the name of this place as Pullamangai
  Dwarapalakas



 Mahishamardini panel


 Ravana fights with Jatayu
 Ravana Takes Sita in Pushpa Vimana
 Lakshmana cutting the nose of Soorpanakai



 Kotravai / Durgai
 Rishapanthikar - Arthanareeswarar
 Shiva's Dance
 Pickshadanar
 Mahishamardini
 Gajasamharamurthy
  Mahishamardini
--- OM SHIVAYA NAMA---

No comments:

Post a Comment